Southern Praying Mantis (martial art)

Southern Praying Mantis (martial art)

: "For the Northern Chinese self-defence technique from Shandong, see Northern Praying Mantis (martial art)."

Southern Praying Mantis (南派螳螂) is a Chinese martial art native to the Hakka (客家) communities of Southern China. Despite having the name “Praying mantis”, this style is completely unrelated to the Northern Praying Mantis style. In terms of history and techniques, the Southern Praying Mantis is more closely associated with fellow Hakka styles such as the Dragon (龍形拳) or Bak Mei (白眉拳)and more distantly to the Fujian family of styles that includes Fujian White Crane (白鶴拳), Five Ancestors (五祖拳), and Wing Chun (詠春). There are four main branches of Southern Praying Mantis being practised world wide.

Southern Praying Mantis is a close range fighting system that places much emphasis on short power and has aspects of both internal and external techniques. In application, the emphasis is on hand and arm techniques and limited use of low kicks.

History

The four main branches of Southern Praying Mantis are:
* Chow Gar (周家; Chow family)
* Chu Gar (朱家; Chu family)
* Kwong Sai Jook Lum (江西竹林; JiangXi ZhuLin; Bamboo Forest)
* Iron Ox (鐵牛)

A common antecedent can be surmised from the same traditional region of origin, the popularity amongst the Hakka community, a reference to praying mantis, similar training forms such as Sarm Bo Jin (三步箭) and common application principles. However, despite those similarities, the genealogies of these branches are not complete enough to trace them to a single common ancestor. The relationship between Chow Gar cite web | author = Ng Si Kay | title = History of the style | publisher = Chow Gar Mantis Association (International) | url = http://hk.geocities.com/ngsikay/history_en.htm | accessdate = 2008-02-28 ] and Chu Gar can both be traced directly to Lau Shui. The origins of Kwong Sai Jook Lum system is controversial with some Chu Gar proponents claiming a relationship also to Lau Shui cite web | author = Gene Chen Ching Hong | title = Hakka Praying Mantis Chugar Gao: The Real Southern Mantis Boxing | publisher = Martial Arts of China vol. 2 pp.18 | url = http://forum.kungfumagazine.com/forum/archive/index.php/t-1371.html | accessdate = 2008-02-25 ] ; however, those claims have since been refuted. The Iron Ox system can be traced historically to the area of Southern China where the other branches of Southern Praying Mantis first originated and to the same Hakka communities where the art was transmitted. cite web | author = Li Tien-Lai | title = Dongjiang Chaujia Preying Mantis | publisher = University of Hong Kong - Chinese Martial Arts Club | url = http://www.hku.hk/cmaclub/english/resource-center/malibrary/chowmantis.htm | accessdate = 2008-02-29 ] There are many other Southern styles such as Chuka Shaolin Citation
author = Leong, Cheong Cheng; Draeger, Donn F.
year = 1998
title = Phoenix-eye fist
isbn = 978-0834801271
publisher = Weatherhill Publishers
location = New York
oclc = 3002333 59984068
] that uses similar technique but are not identified as being part of this group of martial arts according to their respective schools. Those styles can be identified as being Hakka Kuen.

Hakka Kuen

Kwong Sai Jook Lum tradition mentions that the people of Pearl River Delta once refer the Southern Praying Mantis style as "Hakka Kuen" (客家拳). A term that is initially link to the Southern martial arts practised by the Hakka community of inland eastern Guangdong and later applied to the skills that are practised by oversea Hakka communities. The reason is due to the close association of this style with the Hakka community.

This region, the original home to Southern Praying Mantis, covers a wide expanse in Southern China. It begins at the very heart of Hakka territory at Xingning, the home of Chow Gar founder Chow Ah-Nam. From Xingning, the Dongjiang (東江) flows west out of the prefecture of Meizhou (梅州) through HohYuen, the place of origin for Iron Ox founder Choi Tit-Ngau. In the prefecture of Huizhou, the DongKwong forms the northern border of Huìyáng (惠陽) County, where Kwong Sai Jook Lum master Chung Yu-Chang and Chow/Chu Gar teacher Lau Shui grew up and established their martial arts reputation. From there, the Dongjiang flows into the Pearl River Delta (珠江三角洲) at Bao'an County (present-day Shenzhen), where Kwong Sai Jook Lum masters Wong Yook-Gong and Lum Wing-Fay originated. These masters are all members of the Hakka community and the transmission of this remained within this community until the generation of Lau Shui and Lum Wing-Fay.

Praying Mantis

The association of the term "Praying Mantis" with the style is also controversial. Each branch of the style offers a different explanation.

The traditions of the Chow Gar and Kwong Sai Jook Lum branches each maintain that their respective founders Chow Ah-Nam and Som Dot created their styles after witnessing a praying mantis fight and defeat a bird.Such inspiration is a recurring motif in the Chinese martial arts and can be found in the legends of Northern Praying Mantis, both White Crane styles, T'ai Chi Ch'üan, and Wing Chun.

The traditions of the Chu family branch contend that the name "Southern Praying Mantis" was chosen to conceal from Qing forces its political affiliations by pretending that this esoteric style of Ming loyalists was in fact a regional variant of the popular and widespread Northern Praying Mantis style from Shandong.

The use of the term "Praying Mantis" seems appropriate when one considers the postures of well known practitioners of this style. The emphasis on the techniques of sticky hands, the use of the forearm with the elbows tucked into the chest, claw like fingers and quick explosive actions creates an image that are visually similar to a praying mantis preparing to strike its prey. cite web | author = Roger D. Hagood | title = Abridged History of Southern Praying Mantis | publisher = Bamboo Temple Chinese Benevolent Association | url = http://bambootemple.com/sx090001.htm| date = 19?? | accessdate = 2008-03-07 ] However, other martial artists argues that those techniques are more similar to the actions of the Five Ancestors style or the White Crane style then a praying mantis. cite web | author = Fernando Blanco| title = Southern Praying Mantis System | publisher = Siberian Association of Traditonal Martial Arts (SABTI) | url = http://cclib.nsu.ru/projects/satbi/satbi-e/martart/wushu/sm.html | date = 19?? | accessdate = 2007-12-20 ] Unlike the Northern Praying Mantis, which have a special hand technique that is directly attributed to a Praying Mantis strike, for example, the tángláng gōu, the Southern Praying Mantis do not have similar special hand techniques named after the mantis. The legacy of Lau Soei that is related to the praying mantis name was his famous staff form- the Tong Long Bo Sim Staff (螳螂捕蟬棍).

Lau Shui

Lau Shui (1866-1942; 劉瑞; 劉水﹞ was a Hakka who established a reputation as a martial artist during the turn of the century in Southern China and later as a martial arts teacher in Hong Kong. [cite web | title = Hong Kong Martial Arts Masters (香港武林名師) | publisher = Hong Kong Wushu & Art Service Centre | url = http://wushuart.com.hk/museum/museum.htm | accessdate = 2008-02-23 ] Lau Shui was known as the "Number one of the three tigers of Dong Jiang (東江三虎之一), the other two tigers being Lin Yao Kui of the Dragon Form Mo Chiao Style and Chang Li Chuan of the Bak Mei Style. [cite web | author = Michael Luk |title = The Three Tigers of the Eastern River Valley | publisher = Secrets of Kung Fu vol l3 (4) | year = 1979 | url = http://forum.kungfumagazine.com/forum/archive/index.php/t-1729.html | accessdate = 2008-03-03 ] He was also known as the tiger of Dong Jian (東江老虎). His signature techniques include the "Chaujia-Tanglang-Sanjian" ( the three arrows of Chaujia praying mantis, 周家螳螂三箭拳) and the staff form “Tang _pu. title = Abridged History of Southern Praying Mantis | publisher = Chow Gar Southern Praying Mantis Kung Fu (UK) | url = http://www.chowgarsouthernmantis.com | date = 2007 | accessdate = 2008-03-20 ] and Australia.cite web | title = Chow Gar Tong Long, Bisbane, Australia
url = http://www.chowgar.com.au | date = 2007 | accessdate = 2008-03-20
]

Chu Gar

The Chu family (朱家) branch attributes its art to Chu Fook-To, who created Southern Praying Mantis as a fighting style for opponents of the Manchu Qing Dynasty (1644–1912) that overthrew the Han Chinese Ming royal family (1368–1644). According to the Chu family branch, Chu was a member of the Ming Royal family who took refuge at Shaolin Monastery in Henan. After the destruction of the Northern Shaolin Monastery, Chu escaped to the Southern Shaolin Monastery in Fujian. He then prompted his art in the surrounding regions.

Current proponents of Chu Gar are related to the students of Lau Shui. Those students continued the tradition of his school in Hong Kong after he passed away in 1942. Chu Gar can be found in China, Hong Kong, Australia, and United States. cite web | title = Manuel Rodriguez - American Shaolin West, Ventura, CA
url = http://www.reddragonkungfu.com/ | date = 2008 | accessdate = 2008-08-27
]

Kwong Sai Jook Lum

According to oral traditions, the Kwong Sai Jook Lum (江西竹林) style traces its origins to the temple Jook Lum Gee (竹林寺), Wu Tai Shan (五台山) in Shanxi province and on Mt. Longhu (龍虎山) in Jiangxi (江西) province cite web | author = Roger D. Hagood | title = 18 Hands Skills of the Mantis | publisher = Inside Kung Fu - CFW Enterprises | url = http://paintball.iisports.com/page.asp?content_id=8043 | date = 19?? | accessdate = 2008-02-26 ] . The monk, Som Dot (三達祖師), created this new martial art system in the 18th century. He passed the art on to Lee Kun Ching (李官清), later known as Lee Siem See (李禪師; a name that can be translated as "Zen master Lee") and Wong Do Leng (黃道人; a name that can be translated as "Taoist Wong"). cite web | author = Lee Kwok Leung | title = History of Kwong Sai Bamboo | publisher = Kwong Sai Bamboo Temple Praying Mantis Kung Fu Association | url = http://www.kwongsaibambootemple.org/history_e.html | date = 20?? | accessdate = 2008-04-22 ] Lee Siem See would travel to Southern China and spread the art amongst the general population. In Guangdong, his student, Cheung Yiu Chung (張耀宗), would later return with him to Kwong Sai to complete his training at Jook Lum Gee.

In 1919, Cheung returned to resided in Wei Yang Xian (Wei Yang County) Dan Shui in Guangdong Province. During the winter of 1929, Cheung opened his first martial arts school and a traditional Chinese medicine clinic in Bao'an County in Píngshān (坪山) Town and continued to promote the Jook Lum system. Wong Yook-Kong (黃(公)毓光) and Lum Wing-Fay (林榮輝; 1910 - 1992; also known as Lum Sang (林生; Lum Sang can be translated as Mr. Lum ) and Lee Shen Sheng (李腎勝) are some of his students from that period.

Cheung eventually moved to Hong Kong. He opened a martial arts studio and became the head teacher to the Hong Kong Hakka ship and dock workers union. The classes in Hong Kong was taught by Wong Yook-Kong cite web | author = Henry Lee and Harry A. White | title = Secrets of Southern Praying Mantis - Henry Poo Yee's story | publisher = Kung fu magazine | url = http://ezine.kungfumagazine.com/magazine/article.php?article=178 | date = 1992 | accessdate = 2008-02-26 ] and this school still exist today. cite web | author = Lee Kwok Leung | title = History of Kwong Sai Bamboo | publisher = Kwong Sai Bamboo Temple Praying Mantis Kung Fu Association | url = http://www.kwongsaibambootemple.org/history_e.html | date = 20?? | accessdate = 2008-04-22 ] Wong Yook-Kong was described as a large man and in training he placed great emphasis on strength and physical conditioning before moving onto the more internal aspects of the style. One of his favorite training method was to practise with 30 to 60 LB iron rings on his wrist while he perform his forms. As a result, his students also emphasis those aspects in their training. The lineage of Wong Yook Kong is continued by his two sons: Wong Yiu Hung (黃耀雄) and Wong Yiu Hwa (黃耀華) and other students such as Lee Kwok Leung (李國良).cite web | author = Lee Kwok Leung | title = Brief Family Tree and Lineage of Kwong Sai Bamboo(Jook Lum) Temple Praying Mantis under Wong Yuk Gong | publisher = Kwong Sai Bamboo Temple Praying Mantis Kung Fu Association | url = http://www.kwongsaibambootemple.org/family_tree.html | date = 20?? | accessdate = 2008-08-29 ]

In the 1920s Lum Sang, one of the youngest of Cheung's students in Hong Kong, was fortunately enough to meet and studied with Lee Siem See during one of Lee Siem See's trips to Hong Kong to establish a Buddhist temple (Chuk Lam Sim Yuen). [cite web | title = Chuk Lam Sim Yuen (Bamboo forest monastery) | publisher = wcities | url = http://www.wcities.com/en/record/35953/86/record.html | accessdate = 2008-03-14 ] Lum studied and traveled with Lee for the next seven years. In the 1930s, Lum returned to Hong Kong and opened a Kwong Sai Jook Lum Temple Tong Long Pai school in Kowloon. Lum Wing Fay was described as being small in statue being only 5'2 and 120 lbs. In practised, he placed emphasis on softness and redirection and his students continue to display those traits. In 1942, Lum Sang emigrated to the United States and settled in the Chinatown of New York city. He started teaching in Chinatown's Hakka Association, the New York Hip Sing Tong at Pell Street. In the late 1950's, he taught at Free Mason Association Athletic Club, also know as Hung Ching. By 1963, his Kwong-Sai Jook Lum Gee Tong Long Pai was one of the largest kung fu school. In 1969, Lam Sang retired from teaching and migrated to Taiwan. Lam Sang passed away in 1991. His students such as Gin Foon-Mark cite web | author = Marty Eisen | title = Mark and Jook Lum Praying Mantis | publisher = Kung fu magazine | url = http://members.aol.com/_ht_a/martyeisen/mantis/Mjook.htm | date = 19?? | accessdate = 2008-02-26 ] , Henry Poo Yee and Louie Jack Man cite web | author = Louie Jack Man | title = Louie Jack Man : Jook Lum Southern Mantis Kung Fu | publisher = Louie Jack Man's School in Philadelphia | url = http://www.louiejackman.com | date = 19?? | accessdate = 2008-08-13 ] would established themselves as teachers and promote this art in the United States and around the world.

Lee Shen Sheng (李腎勝) originally trained in Chu Gar before becoming a student of Cheung Yiu Chung. He left Hong Kong in the 1940's but continue to teach his style under the name Lee Family Tong Lang (李家螳螂拳). Some of his students can now be found in Liverpool, England. cite web | author = Unknown | title = Question about Southern Praying Mantis | publisher = Kungfu Board | url = http://www.kungfuboard.com/forums/showthread.php?p=50914 | date = 2003 | accessdate = 2008-08-13 ]

Iron Ox

The Iron Ox (鐵牛) branch is named after its founder, Iron Ox Choi (Choi Dit-Ngau; 蔡鐵牛). A nickname he earned for his strength and ability to withstand his opponent's strikes. He was also known to have taken part in the Boxer Rebellion (1900) fighting to against the Ching government to restore the Ming government. cite book | first = Eduardo | last = Barrios-Muras | title = Iron-ox Praying Mantis Boxing: The Seeds, Chi and Boxing Forms | publisher = Muras Publications | date = 2000-07-31 | isbn=0953863204 ]

Ho Kung Wah introduced the style to the United Kingdom in the 1960's. . Most practitioners of this branch of Southern Praying Mantis are found in Southern China but there are now promoters of this style in South America, Europe cite web | title = Iron Ox Praying Mantis International Martial Arts Federation | publisher = Dit Ngau Hakka Tong Long Pai UK | url = http://dit-ngau.tripod.com/ | accessdate = 2008-03-21 ] , Canada and Australia.

Characteristics and Training

Like other Southern Chinese martial arts, Southern Praying Mantis is characterised by a strong stance, powerful waist and fast, heavy forearms and quick hand movements. The essences of the style is captured in various poetry and mnemonic aids. [cite web | author = Ottawa Chinese Martial Arts Association | title = Other Styles > Southern Praying Mantis | publisher = Ottawa Chinese Martial Arts Association | url = http://www.geocities.com/ottawakungfu/400Others023.htm | date = 2005 | accessdate = 2008-03-14 ]

Training include a variety of solo forms, pair practise, weapon practise. The name and type of form will vary between branches. In the Australia version of Chow Gar Tong Long under direction of Henry Sue the form structure are as follows:

  • Sarm Bo Gin
  • Sarm Bo Yil Sou
  • Sarm kung Bic Kuiel
  • Sarm Bo Pai Tarn
  • Tong Long Bow Sim Sou
  • Tong Long Won Sou

Sarm Bo Gin is considered one of the most important forms of the southern mantis system. It is a hard chi gung form and is usually the first to be learned. It strengthens the body, aiding its resistance to physical blows, and also develops power. The form should be done everyday, preferably early morning.

Notes

See also

* Hakka Kuen
* East River Fist
* Nam Pai Chuan
* Hakka
* Traditional Chinese medicine
* Meridian (Chinese medicine)
* Dim Mak
* Tui Na

References

External links

* [http://www.youtube.com/watch?v=1nsUR6hz5Fo Video showing an hakka style]
* [http://jooklummantis.com/jlm/index.asp Jook Lum Mantis]


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