Sandy Posey

Sandy Posey (born June 18, 1944 [Some sources give 1947, but 1944 is more consistent with her having graduated from high school in 1962 and Posey herself has referred to her age as 21 at the time that "Born a Woman" was made in 1966: see sleeve notes for Sandy Posey, CD "A Single Girl: The Very Best of the MGM Recordings" (2002), which contains an extensive interview with Posey about her early career.] ) is an American popular singer, who enjoyed success in the 1960s with singles such as her 1966 recording of Martha Sharpe's composition, "Single Girl." She is often described as a country singer, although, like Skeeter Davis (to whom she's been frequently compared) her output has varied. Later in her career, the term "countrypolitan," associated with the "Nashville sound", was sometimes applied. [See Michael D'Arcy, June 2001 [http://www.countrypolitan.com/fringe0601.php] ] Posey had three hit singles in the United States all of which peaked at number 12 in the sales charts. [Charlie Gillett & Simon Frith (1976) "Rock File 4"]

ession singer

Sandy Posey was born Sandra Lou Posey in Jasper, Alabama. [Posey’s birth name has sometimes been cited mistakenly as Martha Sharpe, because Sharpe wrote some of her early recordings: see for example, Hugh Gregory (1993) "Who's Who In Country Music".] She graduated from high school in Memphis, Tennessee in 1962. [See sleeve notes for "A Single Girl (2002)] Posey obtained work as a session singer, after she was recommended by an aunt to an acquaintance who worked in television. In addition to acting as a receptionist at a studio in Memphis, she took part in recordings across the Deep South and appeared, for example, on recording sessions produced by Lincoln “Chips” Moman for Elvis Presley and on Percy Sledge’s "When a Man Loves a Woman" (a number one hit in the USA in 1966). Other singers whom she backed included Joe Tex, Bobby Goldsboro and Tommy Roe.

olo career

Posey's first single record, under the name "Sandy Carmel", was "Kiss Me Goodnight" (1965), written by William Cates, which was coupled with "First Boy." This was released by Bell Records, but received little publicity and made miminal impact. Assisted by Gary Walker, a music publisher who became her manager, Posey then made a demonstration recording of "Born a Woman," written by Martha Sharpe. [Sharpe made her own recordings of "Born a Woman" and "Single Girl" in 1973 for a Monument album (KZ 32234).] According to Posey, Chips Moman "went wild" when he heard this and helped her to obtain a contract with MGM in Nashville. [Sleeve notes for "A Single Girl" CD (2002)]

Born a Woman

Posey had her first hit with "Born a Woman," which Moman produced in Nashville on March 15, 1966. [MGM home page [http://www.geocities.com/SunsetStrip/Palladium/9229/sposey.htm] ] This reached number 12 in the US sales charts in September 1966. "Born a Woman" was regarded by some as a women's liberationist song ("You're born to be stepped on, lied to, cheated on"), although it was lampooned by others [See Peter Doggett, sleeve notes for "A Single Girl" (2002)] and Helen Reddy, whose song, "I Am Woman", became a feminist anthem in 1972, dismissed it much later as "dreadful" and its lyrics as "not exactly empowering". [Helen Reddy, interview in "Sunday Magazine" (Australia), 2003] "Billboard" referred contemporaneously to "this woeful ballad rocker", while praising Posey's "excellent vocal work". [May 1966, quoted in sleeve notes for "A Single Girl" (2002)] Even so, Posey received two "Grammy" nominations for "Born a Woman" in the categories of vocal performance (female) and contemporary (R&R) solo vocal. [Peter Doggett, 2002]

ingle Girl

Posey's next single release was "Single Girl," also written by Martha Sharpe, which was notable for the gentle crescendo and piano refrain of its final verse. Recorded in Nashville on August 19, 1966, [MGM home page [http://www.geocities.com/SunsetStrip/Palladium/9229/sposey.htm] ] this also reached number 12 in America in January 1967 and number 15 in Great Britain, where it benefited from frequent plays on offshore “pirate” radio stations (peaking, for example, at number 7 in Radio London's non-sales based "Fab 40" on New Year's Day, 1967 [ [http://www.radiolondon.co.uk/xmas01/xfabs01/jan01/xfabforty010167.html Radio London: Field's Fab New Year - 1st January 1967 ] ] ). '"Single Girl" was re-released in Britain in 1975 and reached the top 50 for a second time. ["Guinness British Hit Singles" (15th ed, 2002)]

Other work

Posey’s final top 20 hit was "I Take It Back," another U.S. number 12 in July 1967, although she made other recordings for MGM Records until 1968. These were mostly produced by Moman, but a few, including a version of the Shirelles' hit, "Will You Still Love Me Tomorrow" (1968), were produced by Joe South. Posey continued recording as a solo artist into the early 1980s, when she reverted to session work. She made a number of country recordings with a religious theme after embracing Christianity in 1974. [Michael D'Arcy, June 2001 [http://www.countrypolitan.com/fringe0601.php] ; sleeve notes for "A Single Girl" CD, 2002]

The Elvis connection

In 1968, Posey married Wade Cummings, who performed as an impersonator of Elvis Presley under the name of Elvis Wade. Posey, in fact, appeared with Presley during an engagement in Las Vegas in 1969. [ [http://www.onlineseats.com/elvis-wade-tickets/index.asp Elvis Wade Tickets - Elvis Wade Concert Show Tickets At Onlineseats ] ] Sandy Posey had out a successful string of hits in the late 1970s for Warner Brothers Records.In the early 1970s Sandy had some hits singles and one album on Columbia Records. The album was titled, "Why Don't We Go Somewhere And Love."

References

External links

* Sandy Posey: MGM home page (with extensive discography) [http://www.geocities.com/SunsetStrip/Palladium/9229/sposey.htm] In 1983, Sandy had another charted single on the country chartstitled, "Can't Get Used To Sleeping Without You."

=Notes

In 2004, Sandy Posey recorded a full-length album for King Records in Nashville, TN.

Sandy Posey is now signed with Crossworlds Entertainment out of Lebanon, Tennessee.

References

External links

* [http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:kzfoxqw5ld6e~T1 All Music Guide]
* [http://www.countrypolitan.com/fringe0601.php Countrypolitan]