The Stylus

The Stylus

"The Stylus", originally intended to be named "The Penn", was a would-be periodical owned and edited by Edgar Allan Poe. It had been a long dream of Poe to establish an American journal with very high standards in order to elevate the literature of the time. Despite attempts at signing up –subscribers and finding financial backers and contributors, the journal never came to be.

Overview

Poe thought of creating the journal as early as 1834 though he first announced his prospectus in June 1840 immediately after leaving "Burton's Gentleman's Magazine".Meyers, 119] Originally, Poe intended to call the journal "The Penn", as it would have been based in Philadelphia, Pennsylvania. In the June 6, 1840, issue of Philadelphia's "Saturday Evening Post", Poe purchased advertising space for his prospectus: "PROSPECTUS OF THE PENN MAGAZINE, a Monthly Literary Journal, to be Edited and Published in the city of Philadelphia, by Edgar A. Poe." [Silverman, 159]

Poe soon realized he needed to "endeavor to support the general interests of the republic of letters, without reference to particular regions - regarding the world at large as the true audience of the author". [Sova, 183] Georgia poet Thomas Holley Chivers claimed he suggested it to Poe. It was renamed "The Stylus", a pun on the word "Penn" ("pen") and specifically "the Pen with which the Greeks used to write". [cite book | title=Chivers' Life of Poe | last=Davis | first=Richard Beale (editor) | authorlink= | publisher=E. P. Dutton & Co., Inc. | location=New York | edition=Paperback ed. | date=1952 | pages=42 | id= ]

F. O. C. Darley signed a contract on January 31, 1843, to create original illustrations for "The Stylus". The contract requested at least three illustrations per month, "on wood or paper as required," but no more than five. Darley would have earned $7 per illustration. The contract was through July 1, 1844. [ [http://www.focdarley.org/poe.html F. O. C. Darley Society online] ] Darley had previously illustrated Poe's tale "The Gold-Bug". [Quinn, 392]

In a letter to James Russell Lowell dated March 30, 1844, Poe outlined the kind of journal America needed:

How dreadful is the present condition of our Literature! To what are things heading? We want... a well-founded Monthly Journal, of sufficient ability, circulation and character, to control, and to give tone to, our Letters. It should be, externally, a specimen of high, but not too refined Taste:-I mean, it should be boldly printed, on excellent paper, in single column, and be illustrated, not merely embellished, by spirited wood designs in the style of Grandville. Its chief aims should be Independence, Truth, Originality. It should be a journal of some 120 pp. and furnished at $5. It should have nothing to do with Agents or Agencies. Such a Magazine might be made to exercise a prodigious influence, and would be a source of wealth to its proprietors. [Quinn, 390]

Poe wrote a letter to his cousin Neilson Poe on August 8, 1845, in which he stated very confidently, "In January I shall establish a Magazine." [Quinn, 475] Even so, he never saw his dream come true despite having several published solicitations for subscribers. He came close, however, when he became the owner and editor of the "Broadway Journal" in October of 1845. It ceased publication shortly thereafter when its final edition appeared on January 3, 1846. [Sova, 34] In a letter to Sarah Josepha Hale in January 1846, Poe wrote that, "The B. Journal had fulfilled its destiny... I had never regarded it as more than a temporary adjunct to other design." [Quinn, 496]

That great design, Poe said, was to continue his plans for the establishment of his own magazine. By August 1846, he called "The Stylus" "the one great purpose of my literary life." He prophetically added, "Undoubtedly (unless I die) I will accomplish it." [Quinn, 515]

Fundraising

Poe was not able to support the founding of his magazine out of pocket, in part because of the after-effects of the Panic of 1837, [Bittner, William. "Poe: A Biography". Boston: Little, Brown and Company, 1962: 161.] and sought out investors. On January 17, 1840, Poe wrote a letter to friend and fellow writer John Pendleton Kennedy asking for his help in funding the magazine: "Since you gave me my first start in the literary world... you will not feel surprised that I look anxiously to you for encouragement in this new enterprise", he wrote. [Quinn, 309] George Rex Graham offered financial support and hired Poe as an editor for his magazine, suggesting he would help with "The Penn" after six months. After Poe began work on "Graham's Magazine", Graham published an announcement in the "Saturday Evening Post" that "The Penn" was to be "suspended". [Bittner, William. "Poe: A Biography". Boston: Little, Brown and Company, 1962: 160–162.]

Another possible financial backer was fellow poetThomas Holley Chivers, a wealthy friend of Poe who would later defend Poe's posthumous reputation. Chivers at the time believed Poe was under-appreciated, especially for his work with "Graham's Magazine", but was concerned with his harsh literary criticism. [Meyers, 140] Chivers may also have been offered the position of co-editor. [Silverman, 189–190] He turned down the proposition because of the distraction caused by the death of his three-year-old daughter.Silverman, 190]

In early 1843, Poe contacted Thomas C. Clarke, publisher of Philadelphia's "Saturday Museum". [Silverman, 191] A contract was signed on January 31, 1843, with the agreement that the first issue would be issued on July 1. [Thomas & Jackson, 394] They considered purchasing the subscription list of the "Southern Literary Messenger" around February. [Jackson & Thomas, 401] By May of that year, Clarke withdrew his support in part because of difficulties with his own magazine and in part because of concerns over Poe's drinking. [Meyers, 146]

In February 1848, Poe presented a lecture titled "On The Cosmography of the Universe" (later printed as "") at the Society Library in New York. [Quinn, 539] Poe had hoped the profits from the lecture would raise significant funds for "The Stylus". [Sova, 83] He had expected an audience of hundreds; only 60 people attended and, of those, most were confused by the topic. [Krutch, Joseph Wood. "Edgar Allan Poe: A Study in Genius". Alfred A. Knopf, Inc., 1926: 180–181.] One newspaper reviewed the lecture very favorably and acknowledged its importance as a fund raiser:

Several people and organizations subscribed to the journal before Poe's death. A list of potential subscribers he kept included Nathan C. Brooks, William Cullen Bryant, Sarah Josepha Hale, Charles Fenno Hoffman, John Pendleton Kennedy, George Lippard, James Russell Lowell, Anna Cora Mowatt, Frances Sargent Osgood, James Kirke Paulding, Thomas Mayne Reid, Jeremiah N. Reynolds, and Nathaniel Parker Willis. Several student societies also were interested in subscribing, including ones located at Dickinson College, Hampden-Sydney College, Jefferson College, Lafayette College, Marshall College, St. John's College, and St. Mary's College of Maryland. [Rose III, Alexander G. and Jeffrey Alan Savoye. "Such Friends As These". Baltimore: Enoch Pratt Free Library and Edgar Allan Poe Society, 1986: 12–18. ISBN 0910556245]

Contents

Poe had lofty plans for the make-up of the magazine. He was planning on setting standards very high, anticipating finer quality paper, superior woodcuts, sharper criticism, and bolder original fiction. These higher standards would be reflected in a higher than usual annual subscription price of $5. Early in its planning stages, he promised financial backers that he would start with 500 subscribers - a number which he expected to be 5,000 before the end of its second year. "There is no earthly reason why," he said, "such a Magazine may not, eventually, reach a circulation as great as that of "Graham's" at present - viz 50,000". He also anticipated having correspondents in Berlin and Paris. [Quinn, 497]

References

ources

*Thomas, Dwight and David K. Jackson. "The Poe Log: A Documentary Life of Edgar Allan Poe 1809–1849". New York: G. K. Hall & Co., 1987. ISBN 0783814011
*cite book |last=Meyers |first=Jeffrey |title=Edgar Allan Poe: His Life and Legacy |year=1992 |publisher=Cooper Square Press |location=New York |isbn=0815410387 | pages=
*cite book |last=Quinn|first=Arthur Hobson |title=Edgar Allan Poe: A Critical Biography |year=1998 |publisher=The Johns Hopkins University Press |location=Baltimore |isbn=0801857309 | pages=
*cite book |last=Silverman |first=Kenneth| authorlink= Kenneth Silverman |title=Edgar A. Poe: Mournful and Never-ending Remembrance |year=1991 |publisher=Harper Perennial |location=New York |isbn=0-06-092331-8| pages=
*cite book |last=Sova |first=Dawn B | title=Edgar Allan Poe: A to Z |year=2001 |publisher=Checkmark Books |location=New York |isbn=081604161X

External links

* [http://www.eapoe.org/works/info/pmpts.htm List of prospectuses of "The Penn"/"The Stylus"] at the Edgar Allan Poe Society online


Wikimedia Foundation. 2010.

Игры ⚽ Поможем сделать НИР

Look at other dictionaries:

  • The Stylus — Diseño de Poe para la portada de The Stylus. The Stylus («El Estilete» en inglés), que empezó titulándose The Pen …   Wikipedia Español

  • Stylus fantasticus — The stylus fantasticus is a style of early baroque music.The root of this music is organ toccatas and fantasias, particularly derived from those of Claudio Merulo (1533 1604), organist at St Mark s basilica in Venice. A later practitioner in Rome …   Wikipedia

  • The Legend of Zelda: Spirit Tracks — North American box art Developer(s) Nintendo EAD …   Wikipedia

  • The Legend of Zelda: Phantom Hourglass — North American box art …   Wikipedia

  • Stylus — Sty lus, n. [L. stylus, or better stilus.] 1. An instrument for writing. See {Style}, n., 1. [1913 Webster] 2. That needle shaped part at the tip of the playing arm of phonograph which sits in the groove of a phonograph record while it is turning …   The Collaborative International Dictionary of English

  • The Wendy House — is a goth and alternative nightclub based in Leeds, England. It generally occurs on the 3rd Saturday of every month from 9.00pm to 2.30am at Leeds University Union.The night was started in May 1998 by three graduates of the University of Leeds,… …   Wikipedia

  • The Monty Python Matching Tie and Handkerchief — Studio album by Monty Python Released …   Wikipedia

  • The World Ends with You — Left to right, Joshua, Neku, Beat (above), Shiki, and Rhyme Developer(s) Square Enix Jupiter …   Wikipedia

  • The Death of Poe — Directed by Mark Redfield Produced by Stuart Voytilla Mark Redfield …   Wikipedia

  • The Chicken Song — Single by Spitting Image featuring The Wet Gits from the album Spit in Your Ear B sid …   Wikipedia

Share the article and excerpts

Direct link
Do a right-click on the link above
and select “Copy Link”