- Joe Sinnott
Infobox Comics creator
name = Joe Sinnott
imagesize =
caption = Joe Sinnott at the 2008New York Comic Convention .
birthname =
birthdate =October 16 ,1926
location =Saugerties, New York
deathdate =
deathplace =
nationality = American
area = Inker
alias =
notable works = "The Fantastic Four "
awards = Alley Awards for Best Inking Artist for 1967 & 1968Joe Sinnott (born
October 16 ,1926 ,Saugerties, New York ,United States ) is an Americancomic book artist. Working primarily as aninker , Sinnott is best-known for his long stint onMarvel Comics ' "The Fantastic Four ", from 1965 to 1981 (with a brief return in the late 1980s), initially over the pencils of industry legendJack Kirby . Years before, he had inked Kirby's "Fantastic Four" #5, the issue introducingDr. Doom , plus ascience fiction monster story in "Strange Tales" #95.During his fifty-plus years as a Marvel freelancer and then salaried artist working from home, Sinnott inked virtually every major title, with notable runs on "The Avengers", "The Defenders" and "The Mighty Thor". His smooth, slick inking style has influenced such artists as Terry Austin and
P. Craig Russell , although there was at times criticism that it tended to smother the individuality of some pencillers.Fact|date=April 2008 This was particularly raised with artistBill Sienkiewicz 's short run on "Fantastic Four".Fact|date=April 2008 Sinnott is credited with influencing what would become a Kirby trademark, the heavily inked cosmic bursts eventually known as "Kirby Krackles".Fact|date=April 2008Biography
Early life and career
One of seven children to Edward and Catherine McGraw Sinnott (Frank, Leonard, Anne, Edward, and two who predeceased him, Jack and Richard), Joe Sinnott grew up in a boarding house that catered primarily to schoolteachers , some of whom inspired in the young Sinnott a love of drawing. In
high school , he took what few art classes were offered and became editor of theyearbook and of the school newspaper, the "Ulsterette".Sinnott entered the
United States Navy , and was part of theSeabees in Okinawa duringWorld War II . He was discharged in 1946 at age 19, and after working two-and-a-half years in a cement plant's rock quarry, began to pursue illustration as a career. In 1948, he was accepted into theCartoonists and Illustrators School (now theSchool of Visual Arts ) inNew York City , attending on theGI Bill .There, school co-founder
Burne Hogarth suggested that Sinnott's style might be suitable for comic books, and teacher Tom Gill asked Sinnott to be his assistant on Gill's freelance comics work. With classmate Norman Steinberg, Sinnott spent nine months drawing backgrounds and incidentals on, initially, Gill's Western-movie tie-in comics forDell Comics . "Tom was paying us very well," Sinnott recalled. "I was still attending school and worked for Tom at nights and [on] weekends. ... He was mainly drawing Westerns, like "Red Warrior" and "Apache Kid" forStan Lee ", editor-in-chief of the successive companies, Timely and Atlas, that becameMarvel Comics . "I have to give all the credit to Tom for giving me my start in comics".Joe Sinnott interview, "Alter Ego" #26 (July 2003), pp. 4-5]Sinnott's first solo professional art job was the backup feature "Trudy" or "Trudi" (sources differ) in the
St. John Publications humor comic "Mopsy" #12 (Sept. 1950). Later, during a two-week school vacation in 1950, he married his fiancée Betty, with whom he celebrated their 55th anniversary in 2005.Timely/Atlas
Branching out professionally, Sinnot met with Lee, who assigned him a three-page Western filler, "The Man Who Wouldn't Die", the first of a multitude of stories in many genres Sinnot would draw for Timely/Atlas.
"I used to go up [to the office, at the Empire State Building] and sit in a little reading room with four or five other artists. It got so that every week I went up, the same guys would be in the room. Bob Powell,
Gene Colan , people like that. I got to talking to them.Syd Shores was [freelancing] there, too." The pattern, Sinnott recalled, was for assistant art director Bob Brown to call each in turn to meet with Lee for "maybe ten or fifteen minutes.... There'd be a stack of scripts on the left side of his desk, typed on legal yellow paper. He'd take one off the top and didn't know what he'd be handing you. It could be a war story or a Western or anything. You took it home and were expected to do a professional job on it" [Ibid. , p. 6]During a 1957 economic retrenchment when Atlas let go of most of its staff and freelancers, Sinnott found other work in the six months before the company called him back. Like other freelancers there, he had taken sporadic cuts in his page-rate even before the company implosion. "I was up to $46 a page for pencils and inks. and that was a good rate in 1956, when the decline started. I was down to $21 a page when Atlas stopped hiring me".Ibid., p. 11]
He began doing such
commercial art as billboards and record covers, ghosting for someDC Comics artists, and a job for "Classics Illustrated " comics. A friend at Watson-Guptill Publications connected him with a writer with whom Sinnot collaborated on an unsold Navy-frogman comic strip . FormerEC Comics artistJack Kamen , now theart director ofHarwyn Publishing 's 12-volume, 1958 "Harwyn Picture Encyclopedia" for children, had Sinnott join a roster of contributors that included such celebrated EC artists asReed Crandall ,Bill Elder ,George Evans ,Angelo Torres andWally Wood . Sinnot also began a long association with publisher George Pflaum's "Treasure Chest", a Catholic-oriented comic book distributed inparochial schools . With Bob Wischmeyer, a "Treasure Chest" writer-editor, Sinnott collaborated on an unsold college-athletecomic strip "Johnny Hawk, All American") .Later life and career
Sinnott went into semi-retirement in the early 1990s but continues to ink
The Amazing Spider-Man Sunday strip , do recreations of comics covers and commissioned artwork. Sinnott is a lifelong history buff, focusing on American history.He and his wife's progeny are children Joe Jr., Linda (deceased), Kathy, and Mark; grandchildren Chris, Malissa, Erin, and Trevor; and great-grandson Bernard Vincent.
Awards
Sinnott won the 1967 and 1968 Alley Awards for Best Inking Artist.
Quotes
Joe Sinnott on the Atlas Comics "implosion": " [Stan Lee|Stan
[ Lee] ] called me and said, 'Joe, Martin Goodman told me to suspend operations because I have all this artwork in-house and have to use it up before I can hire you again.' It turned out to be six months, in my case. He may have called back some of the other artists later, but that's what happened with me".Notes
References
* [http://www.joesinnott.com/pages/1/index.htm Joe Sinnott official site]
* [http://www.comics.org The Grand Comics Database]
* [http://www.atlastales.com Atlas Tales]
* [http://www.comicartville.com/archerstjohn.htm Comicartville Library: "Archer St. John & The Little Company That Could", by Ken Quattro]External links
* [http://www.mrmedia.com/2007/07/joe-sinnott-spider-man-fantastic-four.html MrMedia.com (July 25, 2007): "Joe Sinnott, 'Spider-Man' 'Fantastic Four' comic book artist] (interview, part 1; print and audio)
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