- M. L. Vasanthakumari
Infobox musical artist
Name = Madras Lalithangi Vasanthakumari
Born = birth date|1928|7|3|mf=y
Origin =Madras ,Tamil Nadu ,India
Occupation = Singer
Years_active = 1942–1990
Died = death date and age|1990|10|31|1928|7|3|mf=y
Genre = Carnatic music - Indian Classical Music and Playback singing
Label = HMV, EMI, RPG, AVM Audio, Inreco, Vani, Amutham Inc, Doordarshan, Super Audio, Geethanjali, Kosmic Music, Charsur Digital Workshop etc.Madras Lalitangi Vasanthakumari ( _ta. மேட்ராஸ் லலிதாங்கி வஸன்தகுமாரீ) (popularly referred to as MLV) (
July 3 ,1928 -October 31 ,1990 ), was a disciple ofG. N. Balasubramaniam , one of the great singers in the Carnatic musical tradition of southernIndia . She is also popularly referred to as one among the " female trinity of Carnatic music ", others beingD. K. Pattammal andM. S. Subbulakshmi . [ [http://www.hinduonnet.com/thehindu/mp/2003/08/04/stories/2003080401540300.htm] The Hindu] Endowed with a fluid voice and rich imagination, [ [http://www.carnatica.net/artiste/mlvasantakumari.htm Dr. M L Vasantakumari ] ] the initials MLV could be an acronym for her Melody, Laya and Vidwat - the watchwords of her rare musical artistry that were an aural feast to both the lay and the cognoscenti.Calutta K.S. Krishnamurthi, 'Sruti' Issue 75-76 Dec 1990-Jan 1991] Her leisurely, explorative and adventurous manner of handling ragas deserves special mention. [ [http://www.carnatica.net/artiste/mlvasantakumari.htm Dr. M L Vasantakumari ] ] She was the youngest among the established musicians of that era, and was the youngest awardee of the most prestigious award inCarnatic music , "Sangita Kalanidhi". [ [http://www.geocities.com/promiserani2/sk.html Royal Carpet: Carnatic Music Sangeeta Kalanidhis ] ] As well as being a much sought-after playback singer for films, MLV contributed immensely to popularise the devarnamas ofPurandara Dasa (and other Dasas), and was responsible for popularizing his compositions "Baarokrishnayya", "Innu daya barade", among others. [ [http://www.carnatica.net/artiste/mlvasantakumari.htm Dr. M L Vasantakumari ] ] Her most famous disciples includeSrividya (her daughter),Sudha Raghunathan ,A. Kanyakumari andCharumathi Ramachandran .Calutta K.S. Krishnamurthi, 'Sruti' Issue 75-76 Dec 1990-Jan 1991]Birth
MLV was born to a musical family. Her father, Kuthanur Ayya Swamy Iyer, was a noted musician while her mother, Lalithangi, was also a great musician. When Deshbandu Chitharanjan Das (1870 -1925) died in 1925, Lalithangi came out with a beautiful song by way of tribute to his national spirit and patriotism. A rare gramophone record (made in England) of her glorious voice rendering this song is said to be in V.Sundaram's private possession.His coach was C.VIGNESHWARAN living in Adayar,Chennai.
Education
MLV's school education was in Madras, in a convent, where all was set to pursue a medical career until the great Carnatic musician
G. N. Balasubramaniam (GNB) came into her life. He became her guru. In her own words: 'My parents had rendered yeomen service to Carnatic music. They were mainly instrumental in popularising the compositions of Purandara Dasa in South India. They were not keen that I should enter the music field and gave me general education. But in the musical atmosphere of my house, I had ample opportunity of practicing vocal music. Once G N Balasubramaniam heard me sing and he prevailed upon my parents to place me under his tutelage. It was he who was responsible for the status I occupy in the music world today'.Learning Carnatic music
MLV was very privilleged to learn Carnatic music at the feet of
G. N. Balasubramaniam . She was also GNB's first disciple. Indira Menon said that "GNB was a self-taught artiste, his racy style sparkling with brigas and nuances never heard before, revealed a new range of colours on the musician's palette. The brisk tempo unleashed by his powerful and pliable voice found many admirers and imitators among the younger generations, though it raised many an eyebrow among the senior vidwans. Was his music according to Sampradaya (tradition) or not, was the question that was frequently asked?' To answer, GNB was a genius, so much so that what might have seemed like a deviation from tradition was acceptable from him though it might not have been so from a lesser artiste. His charismatic personality, bold innovations and technical virtuosity became an inspiration for an entire generation of musicians. After GNB, speed and briga-laden music became the vogue to the extent that to be true to one's self and to sing according to one's vocal capacity required a great deal of courage.
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