Abdessadeq Cheqara

Abdessadeq Cheqara (1931-October 31, 1998) (in Arabic: عبد الصادق شقارة), was a Moroccan singer of traditional Andalusian classical music and Moroccan folk music . Known as the "grand master of al-Ala (Andalusian music)", he was also a violin and oud virtuoso.

Life

Abdessadeq Cheqara was born in Tetuan, Morocco, a city noted for its Andalusian influences. His father, Abdessalam Cheqara, was a famed singer and musician in Tetuan, while his mother, Assoudia Alharrak, was descended of a family of poets, musicians and philosophers.

From a young age, Cheqara was drawn to music and poetry, being influenced by his father, who gave him his first oud. Cheqara was also influenced by the Zawia Al-Harraqiya sufi movement, which practises devotion to Allah through the performance of Andalusian music. Many of the songs are also about beautiful Andalusia, beautiful women and good wine, remindful of the Al-Andalus period. By the age of fourteen, Cheqara already performed in a band, meeting Abdessalam Allouch, who taught him "malhoun" (the Arabic art of sung poetry).

Cheqara sang Andalusian and traditional Moroccan folksongs in "mawawil" (improvised solo), "inshad" (solo) styles, and his band was famous for their live instrumental improvisation ("taqsim"). Many of his songs were based on poetry and folklore passed through families in Tetuan.

In the 1940s, Cheqara travelled extensively in Morocco, performing with noted Moroccan musicians.In 1940, along with other artosts, he petitioned the Kalifa Mulay Hassan Ben Mahdi for a conservatorium for Morocco’s Andalusian musical heritage. The conservatorium was founded as the Hasani Conservatory of the Moroccan Music. After several name and location changes, the National Conservatory of Music and Dance was opened by King Muhammad V on May 26, 1957.

Also in 1957, Cheqara – along with several friends – founded the "Tétouan Conservatory Orchestra", to conserve and perform the music of Tetuan and Morocco. Later, Cheqara founded the "Cheqara Orchestra of Tétuan".

Cheqara did much to popularize Andalusian music. Prior to the advent of Abdessadeq, Andalusian music was largely an elite music for Andalusians alone. Abdessadeq had a popular modern image and recorded with flamenco ensembles. In this way, he helped to create the image that Andalusian music was "hip."

Much of the Andalusian popular songs or Cha'abi (Sha'abi) are believed to have been appropriated from female Andalusian musicians of Tetuan such as Hajja Shili and Hajja Shahaba. Because of sexism, they were not permitted to record or perform if any males were present and are henceforth not well known. Reportedly Abdessadeq Chekara used to sit with Hajja Cha'haba and Hajja Shili and learn the women's songs, only to go on to record them. Many of the popular Andalusian songs (such as Ben't Bladi) are written from a women's perspective [ See Alison Bakers book of interviews of Tetuani women's contributions (Baker 1998) in addition to the thesis on Andalusian women'musicians entitled "Women's Andalusian Ensembles of Tetuan, Morocco" (University of California, Santa Barbara: Ethnomusicology) (Banzi 2002} [http://proquest.com/products_umi/dissertations/ and http://www.Andalus.com). ] ]

Abdessadeq died on October 31, 1998, after a prolonged illness.

Legacy

The Tetuan Conservatory of Music was directed by Mohammed L'arbi Temsamani for many years until his death in 2002. The director is now Mohammed Amin Akrami, who is also head of the Tetuan Conservatory Ensemble that carries on the name of Abdessadeq Chekara.

Noureddine Chekara, Abdessadeeq's son, has also been very instrumental in carrying on the family name. Noureddine played with his father Abdessadeq Cheqara in the ensemble since he was a young child, being the youngest member of the ensemble. He teaches violin ("kamanja") and singing at the Tetuan Conservatory of Music since 1983. His innovative work in preserving and developing the Andalusian legacy continues with fellow Tetuani, [Tarik Banzi] [http://andalus.com/artists.html Tarik Banzi] of Al-Andalus ensemble [http://www.andalus.com), or Radio Tarifa [http://www.radiotarifa.com] .

Another ensemble is the Orquesta Chekara de Tetuán, based in Spain and under the guidance of Jallal Cheqara, a distant nephew of Abdessadeq. Since Jallal never performed in the Cheqara (Chekara) ensemble, nor did he study in the Tetuan Conservatory, the name of his ensemble has been controversed.

Records and events

Other notable achievements include:

* In 1961, Cheqara recorded eight "nawbas" of Andalusian Music in association with UNESCO's "Andalusian Music Fans Association" – an initiative to preserve the Andalusian heritage of Morocco.

* In 1978, Cheqara was appointed Supervisor General of the National Conservatory.

* In 1982, Cheqara met Professor Jose Heredia in Grenada, Spain, and collaborated to produce one of his most famous songs, "Bent Bladi", a combination of Tétouani music and flamenco.

* In 1991, Cheqara collaborated with British-Jewish pianist Michael Nyman, releasing a CD titled "The Upside-Down Violin" (1992). The CD was recorded live at the 1992 World's Fair in Seville.

pelling

His first name is also written Abd el Saddeq, Abdessadek, Abdesaddek, and many other variations. His surname is variously spelt Chekara, Cheqara, Chqara, Sheqara, Shekara, Shkara, and variations thereof.

Footnotes

External links

* [http://www.Andalus.com Ensemble Al-Andalus]
* [http://cdbaby.com/group/banzis Noureddine Chekara (son of Abdessadeq Chekara) is in the Al-Andalus ensemble and on their album of traditional Andalusian music "Alchemy"]