- Palazzo Schifanoia
Palazzo Schifanoia is a
Renaissance palace inFerrara ,Emilia-Romagna (Italy ) built for theEste family. The name "Schifanoia" is thought to originate from "schivar la noia" meaning literally to "escape from boredom" which describes accurately the original intention of the palazzo and the other villas in close proximity where the Este court relaxed. The highlights of its decorations are the allegoricalfresco es with details intempera by or afterFrancesco del Cossa andCosmè Tura , executed ca 1469–70, a unique survival of their time.The palazzo had its origins in a single-storey structure without wings built for
Alberto V d'Este (1385), a small retreat intended solely for suppers and diversions ("delizie"), somewhat in the nature of a banqueting house with an urban front and a garden front. As the equivalent of a Roman "villa suburbana ", the Palazzo Schifanoia long predated the first such pleasure villa built in Renaissance Rome, the Belvedere built for Nicholas V.In 1452
Borso d'Este received the title of Duke for the imperial fiefs ofModena andReggio Emilia that he held from Emperor Frederick III. The occasion for the cycle of frescoes was the expected investiture of Borso d'Este as Duke of Ferrara in 1471 byPope Paul II . The subtext of the festivities embodied in the fresco cycle is the right ordering of mankind and nature under the good government of the Duke, the guarantor of peace and prosperity in the Este dominions. Under the commissions of Borso d'Este, the architectPietro Benvenuto degli Ordini was called upon to develop a ducal apartment on an upper level, providing the building with a "salone" suitable for presentations of ambassadors and delegations, a counterpart of the governing structure of Ferrara housed in the former Palazzo della Ragione, destroyed in World War II.There, in the "Salone dei Mesi" ("The Salone of the Months") Cosimo Tura's purely pagan cycle of the months presents the cycle of the year as an allegorical pageant with the appropriate Olympian gods presiding on their fanciful cars drawn by the beasts proper to each deity, with appropriate personifications of the constellations of the
zodiac . The frescoes were realized circa 1469–70 by artisans of the d'Este household, the larger figures based on cartoons by Cosmé Tura, and the vignettes of the labors of the year and the activities of the Ferrarese court under the benevolent eye of Borso d'Este, flanked by astrological figures to designs by Francesco del Cossa andErcole de' Roberti . The learned and elaborate scheme of the allegorical presentations must have come from the immediate circle of Borso d'Este, perhaps from the court astrologer,Pellegrino Prisciani , with some details drawn from Boccaccio's "Genealogia deorum".In the "Sala delle Virtù" ("Hall of Virtues") nearby, the sculptor
Domenico di Paris painted the stucco reliefs in a frieze of putti and symbols of the Cardinal and Theological Virtues, under a painted compartmented ceiling.The façade was originally decorated with a cornice of feigned battlements, its surface smoothly stuccoed and decorated with geometic designs of highly colorful imitation marbles, which have been lost, lending a somewhat dour public face to Palazzo Schifanoia that was not what Borso d'Este intended. The rich white marble entrance door survives, though its tinted colors have weathered away and art historians disagree whether it is to be attributed to the painter-designer
Francesco del Cossa or toBiagio Rossetti . Above the arched door, flanked by pilasters, the Este arms are displayed and theunicorn , a symbol of ducal benevolence and the source of patronage. In 1493 the terracotta cornice was added to designs by Biagio Rossetti, who was also commissioned byErcole I d'Este to extend the palace.From the Salone dei Mesi the visitor once passed directly into the gardens reached by a monumental stair from the summer loggia, structures that were demolished in the 18th century. After the Este left Ferrara in 1598, the palazzo was inherited through successive heirs, eventually by the Tassoni family, its frescoes whitewashed over. Eventually, during administration of the duchy as part of the
Papal States , with aHabsburg garrison, it became a tobacco warehouse and manufactory. When Palazzo Schifanoia came into the possession of the comune of Ferrara in the aftermath of World War I, only seven of the months in the "Salone" remained legible.Palazzo Schifanoia forms part of the heritage of Ferrara conserved under the umbrella of the Musei Civici d'Arte Antica di Ferrara. The 14th and 15th century rooms contain collections of antiquities, a numismatic collection and medals cast by
Pisanello and other Quattrocento artists to commemorate members of the Este family.References
* [http://www.comune.fe.it/musei-aa/schifanoia/skifa.html Palazzo Schifanoia] (in Italian)
* [http://www.italica.rai.it/rinascimento/parole_chiave/schede/schifan.htm Ilaria Miarelli Mariani, "La sala dei mesi in Palazzo Schifanoia a Ferrara"] (in Italian)
* [http://www.abcgallery.com/I/italy/cossa.html Gallery:] details of the frescoes after Cossa's designs
* [http://www.eca.ferrara.it/en/palazzo_schifanoia.html Palazzo Schifanoia] (in English)
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