Nachum Gutman

Nachum Gutman
Nachum Gutman

Nachum Gutman in Vienna, 1920
Born October 5, 1898(1898-10-05)
Teleneşti , Bessarabia
Died November 28, 1980(1980-11-28) (aged 82)
Nationality Israeli, Jewish
Field Painting
Training Bezalel Academy of Arts and Design
Awards Dizengoff Prize, Lamdan Prize, Israel Prize
Gutman's studio, Nahum Gutman Museum of Art
"Resting at Noon", by Gutman (1926)
Mosaic fountain by Gutman, Bialik Street, Tel Aviv

Nachum Gutman (alternate romanization: Nahum Gutman; Hebrew: נחום גוטמן‎: born October 5, 1898, died November 28, 1980) was a Russian-born Israeli painter, sculptor, and author.

Contents

Early life

Gutman was born in Teleneşti, Bessarabia, Romania, then a part of the Russian Empire. He was the fourth child of Alter and Rivka Gutman. His father was a Hebrew writer and educator who wrote under the pen name S. Ben Zion. In 1903, the family moved to Odessa, and two years later, to Ottoman Palestine.

Artistic career

Gutman helped pioneer a distinctively Israeli style, moving away from the European influences of his teachers. He worked in many different media: oils, watercolours, gouache and pen and ink.

His sculptures and brightly colored mosaics can be seen in public places around Tel Aviv. Indoor murals depicting the history of Tel Aviv can be seen in the western wing of the Shalom Tower and the Chief Rabbinate building. A mosaic fountain with scenes from Jewish history stands at the corner of Bialik Street, opposite the old Tel Aviv municipality building.[1]

Returning to Israel in 1927, after a long sojourn in Europe, Gutman undertook the illustration of C.N. Bialik's writings until the poet's death in 1937. His Illustrations of Bialik's "Legends" were the peak of this project, and his style- monumental, sculptural, primitive, influenced by Assyrian sculpture and Persian miniature- perfectly suited Bialik's biblical themes. Gutman was one of the major formulators of Eretz Israel art-starkly simple, earthy and powerful, aggressively asserting its sense of place. The booklet of protest illustrations by Gutman, published immediately after the 1929 riots, was the first manifestation of the dashing of the Eretz Israel myth of Arab-Jewish integration. Gutman, as one of the formulators of the idealization of the Arab in art, was the first to respond to the new identity crisis facing the Eretz Israel Jew. He was to return to the depiction of the East in his later work.

Gutman's artistic style was eclectic, ranging from figurative to abstract. Gutman was also a well-known writer and illustrator of children's books.

Education

  • 1908 Herzlia Gymnasium, Tel Aviv
  • 1912 Art, Bezalel Academy of Arts and Design, Jerusalem.
  • 1920–26 Art, Vienna, Berlin and Paris

Awards and honours

Gutman received many art and literary prizes:[2]

  • 1938: Dizengoff Prize for painting (also in 1956)[3]
  • 1946: Lamdan Prize for children's literature
  • 1955: Sicily Award for watercolor painting at the São Paulo Biennale
  • 1956: Dizengoff Prize for painting (also in 1938)[3]
  • 1962: Hans Christian Andersen Literary Prize on behalf of Unesco for his book "Path of Orange Peels"
  • 1964: Yatziv Prize
  • 1969: Fichman Prize for Literature and Art
  • 1974: Honorary Doctor of Philosophy from Tel Aviv University
  • 1976: Honorary Citizen of Tel Aviv
  • 1978: Israel Prize, for children's literature[4]

The Nachum Gutman Museum, showcasing the artist's work, was established in the Neve Tzedek neighborhood of Tel Aviv.[5]

In 2005, he was voted the 110th-greatest Israeli of all time, in a poll by the Israeli news website Ynet to determine whom the general public considered the 200 Greatest Israelis.[6]

Outdoor and public art

  • 1961 A mosaic wall in the house of the Chief Rabbinate, Tel Aviv
  • 1966 A mosaic wall in "Migdal Shalom", Tel Aviv
  • 1967 A mosaic wall for the "Herzliya" high school, Tel Aviv
  • 1976 History of Tel Aviv-Jaffa, mosaic, Bialik Square, Tel Aviv

Published works

  • Path of the Orange Peels: Adventures in the Early Days of Tel Aviv (English translation: Nelly Segal) Dodd, Mead & Company, 1979

See also

References

External links


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