Festering Season (comic)

"The Festering Season" is a critically acclaimed graphic novel created by Kevin Tinsley with artist Tim Smith 3. It was published as a first-run graphic novel by Stickman Graphics in 2002.Supercbbox| title = Festering Season
comic_color = background:#ffffcc


caption = Covers of the hardcover (left) and softcover (right) editions of "Festering Season", published by Stickman Graphics.
format = graphic novel
publisher = Stickman Graphics
date = 2002
past_current_color = background:#ffffcc
main_char_team = Renee DuBoise
Paul Whythe
Isabelle Desanto
writers = Kevin Tinsley
artists = Tim Smith 3
colorists = Kevin Tinsley
creators = Kevin Tinsley
TPB=Softcover
ISBN=0-9675423-2-4
TPB1=Hardcover
ISBN1=0-9675423-1-6

Plot

After the owner of an East Village botanicas is killed in a bizarre police shooting, her daughter, Rene Duboise is summoned back to New york from Haiti, interrupting her Vodou training. Upon her return, Rene realizes that she is being watched and that there is something more sinister going on in the city.

At the same time, Paul Whythe, a cultural anthropology professor at New York University is asked to consult with the NYPD’s Cult Related Task Force on dead body unearthed in Brooklyn Heights. He recognizes the ritualized nature of the burial to be related to the religion of Palo, but becomes suspicious of the East Village shooting’s relationship with the similar religion of Vodou.

Rene realizes that a drug smuggler by the name of Gangleos is behind a series of ritualistic crimes, including her mother’s death, after a confrontation with with Isabelle Desanto, whose brother had also been murdered after seeking counsel with Rene’s mother. After a meeting with Paul shortly thereafter, Rene is able to piece together a far greater threat being orchestrated against the entire city. However the extent and purpose of which remain a mystery until near the end of the story.

Influences

"The Festering Season" is an extremely polemical story that is particularly critical of the Giuliani administration and highly politicized police procederes that were implemented during his tenure in office. [cite news |first= |last= |authorlink= |coauthors=|title= The Festering Season|url= |work= |publisher= Publishers Weekly|date= 2002-23-09 |accessdate=2008-09-24 ] It was described “no light read,” [cite web |url= http://www.thefourthrail.com/features/1102/festeringseason.html|title= title= Two-in-One Review: The Festering Season|authorlink=|first= Don|last= MacPherson|coauthors=|first= Randy|last=Lander|work= |publisher= The Fourth Rail|date= |accessdate=2008-09-24 ] “highly original” and “socially conscious” [cite web |title= The Festering Season|url= http://www.beliefnet.com/story/115/story_11535_5.html |first= M. Mayuran|last= Tiruchelvam|authorlink= |coauthors= |work= |publisher= Belief Net|date= |accessdate=2008-09-24 ] in reviews and even received an extensive write up in the "New York Times". [cite news |first= George Gene|last= Gustines|authorlink= |coauthors= |title= The Amazing Adventures of New York City|url= |work= |publisher= New York Times|date= 2002-11-03 |accessdate=2008-09-24 ]

In the afterword of the graphic novel, Tinsley cites numerous incidents and news reports on police brutality, racial profiling, weakened constitutional rights and Vodou curses that influenced and inspired his story. There are footnotes throughout the afterword that reference numerous "Village Voice" articles and, interestingly, an article from the "New York Post" that was emblazoned with a front page headline that read: "Black Magic Woman". [cite book |title= The Festering Season |last= Tinsley|first= Kevin |authorlink= |coauthors= |year= 2002|publisher= Stickman Graphics |location= |isbn= 0967542324|pages= 228-231 |url= ]

Art Style

Tim Smith’s art is heavily influenced by Japanese Manga, but is reproduced from his original pencils, occasionally appearing rough, and revealing sketchy construction lines. Photographic backgrounds of actual locations are used often throughout the book to varying degrees of success.

The coloring is notable in that utilizes a two-color printing process that was originally used during the early 1900’s. Tinsley stated in an interview that "The Festering Season" was begun using a grayscale palette, but that he felt it was lacking impact. At this time he “remembered an old art history lesson about Norman Rockwell’s” early work on the "Saturday Evening Post" which was reproduced in two-color. Tinsley has gone on to use this same process on subsequent graphic novels. [cite web |title= Tales of the City |url=http://www.worldfamouscomics.com/bakersdozen/back20040303.shtml |first= Bill|last= Baker|authorlink= |coauthors= |work= |publisher= Bakers Dozen|date= 2004-03-03 |accessdate=2008-09-24 ]

Notes

References

"Comics Buyers Guide" #1499, by Maggie Thompson, August 9, 2002

"Comic World News", posted 03/07/03 @ www.comicworldnews.com by Scott Woods